Work information

Composer: Arnold, Georg (1621-1676)
Title: Omnipotens et misericors Deus
Key: A
Attribution info
Literature
RISM: A 2164 (1661)
Manuscript concordance
Work comments

Composer
Title
Key
Attribution info
Literature
RISM
Manuscript concordance
Work comments

Sources

Source information

Shelf mark: vmhs 77:82
Full title: 31./ Omnipotens & Mise=/ ricors Deus.
Scoring: 2S 2vl bc
Tinten No: 0
Original genre
Original feast
Literature
Source comments: Composer's name given as "dito" in the volume index; the previous work is attributed to Arnold.

Volumes

1/142

Volume: vmhs 77
Folios: 138
Format: 2:o
Size: 197x310
Gathering structure: <4> + 2/ + 10<6> + 3/ + <3>
Vol title: Libro 1mo/ di/ Mottette et concerti/ G. D.// 1663. [front cover]; Partitura [fol. 1r]
Index: [fol 1v:] 1 = In te Domine C.A.T.B./ 2 = Estomihi in C A T B./ 3 = Jesu dulcis C. 2 viol/ 4 = Benedic anima mea Domino a Canto. Basso e 2 violini/ 5 = Resurrexit de sepulchro a 2 C: A. 3T. Basso e 2 violl:/ 6 = Nulla Scient melior est a 2C.A.T.B. e 2 viol:/ 7 = Cantate et Jubila date te. a Alto solo e 5 viole/ 8 = Pascha Celebranda a 2C.A.2T.B. e 2 viol/ 9 = Salve Suavissime Jesu pro pascha C: solo con 5 viol/ 10 = Plaudat Jubilet pro pascha. A.T.B.e 4 viole/ 11 = Dulcis Jesu quam decorus C.C.B. 4 viole./ 12 = vidimus Dominum. a C.A.T.B. 2 viol/ 13 = veni Sancte Spiritus a 9. 2 Canti A.T.B. e 4 viole/ 14 = Laudate Dominum omnes Gentes 2C: A T B. e 5 viole/ 15 = Benedicta sit sancta Trinitas. A.T.B. Con 3 vel 5 viol/ 16 = Quis est quem metuis o anima mea C.A T B e 3 vel 5 viol/ 17 =/ 18 =/ 19 =/ 20 =/ 21 =/ 22 =/ 23 =/ 24 =/ 25 =/ 26 =/ 27 =/ 28 =/ 29 =/ 30 =/ 31 =/ 32 =/ 33 =/ 34/ 35/ 36/ 37/ 38/ 39/ 40/ 41/ 42/ 43/ 44 [fol. 138v:] Indice./ 1. In te Domine Speravi C.A.T.B./ 2. Esto mihi in Deum C.A.T.B/ 3. Jesu dulcis memoria Canto solo Con 2 Violini/ 5. Benedic Anima mea C.B. e. 2. viol./ 8. Resurrexit 2C.A.3T.B 2 viol: Claud Montev:/ 12. Nulla Scientia C.C.A.T.B. 2 viol. Georg Arnoldi/ 15. Cantate et Jubilate Alto solo ? 5 Viole. dito./ 17. Pascha Co[n]celebranda C.C.A.T.T.B. 2 Viol: Claud Mont:/ 19. Secunda Pars./ 22. Salve Suavissime Jesu canto solo 5 viol Georg Arnoldi/ 24. Plaudat Jubilet A T.B 4 viol di Georg Arnoldi, in Paschat./ 27. Dulcis Jesu! qua[m] decorus. in Pasch: 2C.B. 2 viol Georg Arnol/ 30. Vidimus Dominum C.A.T.B. 2 Viol dito/ 32. Veni Sancte Spiritus 5 voc 4 viol Wern: Fabritii/ 37. Laudate Dominum 5 voc 5 viol Tob: Zeitsneri/ 42. Benedicta Sit Sancta Trinitas A T.B. 2 viol: dito/ 44. Quis est quem metuis C.A.T.B. 2 viol 3 Tro[m]b eiusde[m]/ 49. L?tare Nunc in Domino C.A T.B 2 viol 3 Tro[m]b dito/ 53. Gott du Gott jsrael 5 voc 5 viol. dito/ 57. Jesu Dulcis memoria C.T.B 2 viol di[to]/ 59. Salve o Jesu mi A.T.B. 2 viol./ 61. L?tantes Canite C.C.B. 2 viol Franc: Fogg:/ 63. Excelsis Luminis C.C.B. 2 viol eiusdem/ 66. Benedic Domine C.C.B. 2 viol Georg Arnoldi/ 67. L?ta nobis C.C. 2 overo 5. Viol. Franc: Fogg:/ 70. Estote Fortes in Bello C.C.B. 2 viol: Georg Arn:/ 71. Turbabor A.T.B. 2 viol di Erasm: Kinderm/ 73. Cur mundus Militat C.C.T. 2 viol. Georg Arn:/ 75. Propter te C.C B. 2 viol eiusdem// [page break]// 6d 76. Super Flumina C.A T.B./ 78. Audite Populi C.C.T. 2 viol. Georg Arnold/ 82 Omnipotens et misericordi C.C. 2 viol. dito/ 84. Eß Erhub sich Ein Streit 5 voc: 5 viol. Zeitsn./ 89 Cogita O homo. C.A.T.B 2 viol Fag: Albric/ 92 Domin[us] illuminatio C.C.T.B 5 viol Stadelm/ 95. Audite justi C.C.B. Jacom: Carissimi/ 97. Quemadmodum desiderat C.C.B. 2 viol./ 101. Desiderata nobis A.T.B. Jac: Carissimi/ 103. Audite Gentes 8 voc: Stadelmeier./ 106. O Jesu bone C.C. 4 viol Georg Arnoldi/ 108. O dulcissime Jesu A.T. 4 viol dito/ 111. Ave Regnator C. solo 5 viol. Antoni Rigatti/ 114. O Cor meum C.C. 2 viol Vinc: Albrici/ 119. Missus e[st] Angelus C.A B. 2 viol./ 121. Adeste quodquot Alto ? 4 viol Georg Arnol./ 123. O Felix o Fausta C.A.T.B. 2 viol./ 126. Exaudi Domine 5 voc: 2 viol./ 129. Veni Sancte Spirit[us] A.T.B. 2 Viol./ 131. Mihi autem bonum Ten: solo 2 viol. Fag: Albrici/ 133. Veni amantissime Jesu C.A.T.B./ 134. Redemptor Deus 2 canti 2 viol Gasp: Forster/ 136. O bone Jesu C.A. e 3 viol. di Vinc: Albrici
Description: Appears as a thick red book; cardboard cover, covered with red-painted leather. The front cover is torn off from the book on its lower half; there it can be seen that a piece of paper is used as a central core, with swedish text printed in two colours, red and black (apparently a liturgical programme). Marmorate edging in red and green. Title on the outside of the front cover. On the inside of the front cover: some library notes and mark on the top of the page, a little arithmetic problem on the left edge a bit lower. Three modern sheets with the borrowing history are inserted between the cover and fol. 1. One incomplete index on fol. 1v; this page is divided in 4 fields by 3 vertical lines; the first 16 pieces appear with their order numbers. One complete index on fol. 138v and the inside of the rear cover; the pieces appear with their folio numbers. Folio numbers by GD's hand on the verso side of each sheet in the left upper corner. Everything (even all the tabulature scores) is written by GD's hand. Most of the tabulature scores lack text. Folios 105v and 106r are empty.
Date1: 1663
Date2: 1664
Date ref: fol. 12r, 33r, 103r, 119r, 122r, 127r, 133r, cover
Comments: Correction on fol. 4v-5r: In the first row the beginning of the piece "Nulla scientia melior est" by Georg Arnold is notated and crossed out; on fol. 12v and following, the whole piece can be found. Gathering: Fol. 86 consists of two sheets of paper, glued together. That's why there are only 138 folios, and not 139, as the gathering structure suggests. The reason for the sheets being glued together is not obvious. In several places (fol. 12r, 25r, 26r, 66r, 70r) there are small pieces of paper attached to the pages; they contain some bars, often at the end of a piece, that didn't have space on the original page. For their exact size and position see source comments. On fol. 73v there is a piece of paper glued to the sheet, covering one passage, containing a correction.

Sources in volume

Albrici: Cogita o homo cogita omnia transitoria (f. 89v-93r)
Albrici: Mihi autem bonum est adhaerere (f. 131v-133r)
Albrici: O bone Jesu charitas tu me totum (f. 136v-138v)
Albrici: O cor meum quo vagaris (f. 114v-119r)
Anonymous: Benedic anima mea Domino (f. 5v-8r)
Anonymous: Esto mihi in Deum protectorem (f. 2v-4r)
Anonymous: Exaudi Domine justitiam meam intende (f. 126v-129r)
Anonymous: In te Domine speravi (f. 2r-3r)
Anonymous: Jesu dulcis memoria (f. 3v-5r)
Anonymous: Super flumina Babylonis (f. 76v-78r)
Anonymous: Veni o suavissime Jesu o amantissime (f. 133v-135r)
Arnold: Adeste quotquot diligitis Jesum (f. 121v-124r)
Arnold: Audite populi (f. 78v-82r)
Arnold: Benedic Domine domum (f. 66v-68r)
Arnold: Cantate et jubilate (f. 15v-17r)
Arnold: Cur mundus militat (f. 73v-75r)
Arnold: Dulcis Jesu! (f. 27v-31r)
Arnold: Estote fortes in bello (f. 70v-72r)
Arnold: Nulla scientia (f. 12v-15r)
Arnold: O dulcissime Jesu (f. 108v-112r)
Arnold: O Jesu bone (f. 106v-109r)
Arnold: Omnipotens et misericors Deus (f. 82v-84r)
Arnold: Plaudat jubilet (f. 24v-27r)
Arnold: Propter te mortificamur (f. 75v-76r)
Arnold: Quemadmodum desiderat cervus (f. 97v-101r)
Arnold: Salve suavissime Jesu (f. 22v-25r)
Arnold: Vidimus Dominum (f. 30v-33r)
Carissimi: Audite justi (f. 95v-97r)
Carissimi: Desiderata nobis et universo (f. 101v-103r)
Förster: Redemptor Deus qui es vita viventium (f. 134v-137r)
Fabricius: Veni sancte spiritus (f. 32v-37r)
Foggia: Excelsi luminis cultores (f. 63v-67r)
Foggia: Laeta nobis refulget dies (f. 67v-71r)
Foggia: Laetantes canite diem laetitiae (f. 61v-64r)
Kindermann: Turbabor (f. 71v-74r)
Monteverdi: Pascha concelebranda (f. 17v-22r)
Monteverdi: Resurrexit de sepulchro (f. 8v-12r)
Pfleger: Missus est Angelus Gabriel a Deo (f. 119v-122r)
Plauen: O felix o fausta dies o vere dies (f. 123v-127r)
Rigatti: Ave regnator coelorum (f. 111v-114r)
Stadlmayr: Audite gentes (f. 103v-105r)
Stadlmayr: Dominus illuminatio mea (f. 92v-96r)
Weiland: Jesu dulcis memoria (f. 57v-59r)
Weiland: Salve o Jesu mi dulcissime (f. 59v-61r)
Weiland: Veni sancte spiritus reple (f. 129v-132r)
Zeutschner: Benedicta sit sancta Trinitas (f. 42v-44r)
Zeutschner: Es erhub sich ein Streit (f. 84v-90r)
Zeutschner: Gott du Gott Israel (f. 53v-57r)
Zeutschner: Herr hebe an zu segnen das Haus (f. 49v-54r)
Zeutschner: Laudate Dominum omnes gentes (f. 37v-42r)
Zeutschner: Quis est quem metuis o anima mea (f. 44v-49r)

Watermarks

wmnr	Wm_name	Variant	Watref	Cmark	Comment
728	Eagle	Double-headed eagle with crown - MPLB		MPLB	Date: Found in the tab volume vmhs 077 and vmhs 078.

Source information

Shelf mark: vmhs 2:14
Full title: Omnipotens & Misericors Deus./ 2 Canti & 2 Violini./ partitura No: 31. in libr./ 1663/ Georg Arnold.// 273.
Scoring: 2S 2vl bc
Tinten No: 273
Original genre
Original feast
Literature
Source comments: G Düben ink no: On vl I, verso: "No. 237" is crossed out and changed to "273.".

Parts

Composer: Arnold, Georg (1621-1676)
Full title: Omnipotens & Misericors Deus./ 2 Canti & 2 Violini./ partitura No: 31. in libr./ 1663/ Georg Arnold.// 273.
Shelf mark: vmhs 2:14
Part No: 01
Part: Canto primo
Heading: a 2 Canti è 2 violini.
Size: 209x329
Hand: GD Rudén 1968: 138
Watermark name: Foolscap
Watermark variant: Narr/7 - IC =N typ 08
Watermark date: 1663
Watermark reference: Rudén 1968: 138
Comments

1/2

Composer: Arnold, Georg (1621-1676)
Full title: Omnipotens & Misericors Deus./ 2 Canti & 2 Violini./ partitura No: 31. in libr./ 1663/ Georg Arnold.// 273.
Shelf mark: vmhs 2:14
Part No: 02
Part: Canto 2:do
Heading: â 2 Canti Con 2 violini
Size: 211x325
Hand: GD Rudén 1968: 138
Watermark name: Foolscap
Watermark variant: Narr/7 - IC =N typ 08
Watermark date: 1663
Watermark reference: Rudén 1968: 138
Comments

1/2

Composer: Arnold, Georg (1621-1676)
Full title: Omnipotens & Misericors Deus./ 2 Canti & 2 Violini./ partitura No: 31. in libr./ 1663/ Georg Arnold.// 273.
Shelf mark: vmhs 2:14
Part No: 03
Part: Violino I.
Heading: â 2 Canti Con 2 violini
Size: 211x326
Hand: GD Rudén 1968: 138
Watermark name: Foolscap
Watermark variant: Narr/7 - IC =N typ 08
Watermark date: 1663
Watermark reference: Rudén 1968: 138
Comments: Title: between the date 1663 and the ink no 273 there is one more line, containing "No. 237.", stroken out.

1/2

Composer: Arnold, Georg (1621-1676)
Full title: Omnipotens & Misericors Deus./ 2 Canti & 2 Violini./ partitura No: 31. in libr./ 1663/ Georg Arnold.// 273.
Shelf mark: vmhs 2:14
Part No: 04
Part: Violino 2:do
Heading: 2 Canti. Con 2 Violini.
Size: 211x327
Hand: GD Rudén 1968: 138
Watermark name: Foolscap
Watermark variant: Narr/7 - IC =N typ 08
Watermark date: 1663
Watermark reference: Rudén 1968: 138
Comments

1/1

Composer: Arnold, Georg (1621-1676)
Full title: Omnipotens & Misericors Deus./ 2 Canti & 2 Violini./ partitura No: 31. in libr./ 1663/ Georg Arnold.// 273.
Shelf mark: vmhs 2:14
Part No: 05
Part: Organo.
Heading: a 2 Canti Con 2 violini
Size: 212x329
Hand: GD Rudén 1968: 138
Watermark name: Foolscap
Watermark variant: Narr/7 - IC =N typ 08
Watermark date: 1663
Watermark reference: Rudén 1968: 138
Comments: On fol 1v: Title page on top; beginning of bc part with mistake in the sixth bar, upside down on the lower part of the sheet.

1/2

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728

Eagle

Double-headed eagle with crown - MPLB

MPLB

Date: Found in the tab volume vmhs 077 and vmhs 078.

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vmhs 77:82 (tab)

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vmhs 77

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vmhs 2:14 (parts)

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01. Canto primo

02. Canto 2:do

03. Violino I.

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vmhs 77:82 (tab)

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vmhs 77

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vmhs 2:14 (parts)

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Parts

01. Canto primo

02. Canto 2:do

03. Violino I.

04. Violino 2:do

05. Organo.